The End of Law: Part in the First
(Homage to Fight Club, by Chuck Palanhniuk)
If you face death and survive, for the moment of direct confrontation; you are immortal.
Beff gets me a job in a diner, after that he is pushing a gun between my lips and saying the first step to eternal life is you have to die. I thought we were best friends. Everyone was always asking me, did I know Beff Pike?
And now I am going to die.
But that’s not the beginning, not where it started.
I was dead before he found me, gave me life. And then he was saying, “You have to give up everything. Even your life.”
He said, “You have to destroy everything before you can ever really create anything.” Too late it occurred to me to ask; where it would end? And it all started with such innocence. Then, one day in a theatre watching a movie with my at-the-time girlfriend, he was suddenly behind me, sitting in the seat beside and to the left of me and my girlfriend. Lascivious Pike, braggadocio Beff, he said…
“This is a movie about the subjugation of the penis,” he remarked when of the on-screen romance playing out before us. Declarations like this would become commonplace. “The women’s lib movement has gone so far left. They’re trying to kill the erection.”
The movie was tripe, pure and unadulterated crap spewed out of some high volume production ring and pumped through the masses with such vigorous media hype you’d get a migraine from not going to see the fucking thing. It billed itself as ‘The Romance of the Year’ and had overtly female overtones. They called the things ‘chick flicks’.
“You tell yourself; I’m seeing this movie because my girlfriend will like it and maybe I’ll get laid out of the deal.” He balled up a fistful of popcorn, shoved it between his lips and while masticating added, “but let me ask you… Where’s the sex in this? The hero is a feminist dyke. What kind of protagonist wears a thong and tub-top in mixed company and sells herself as a heroine to girls ten and up? And the strongest male character is the villain; a dickless wonder whose only ambition seems to be to win and rig the electoral process.”
“If she doesn’t want to chop it off by the time you get home maybe, just maybe, you’ll land a pity fuck.”
I was transfixed. My girlfriend at the time, disgusted, had stormed out. She paused and leered at me. I realized she expected me to follow. Snails and turtles have moved faster. The last thing she said was something about not doing this here and then she was gone. To this day I haven’t spoken to her again.
“Smooth,” the man smirked, stealing at my popped corn. “Did you know that cellophane is extremely flammable?”
He was about as tall as me, sitting down, but possessed the kind of body generally reserved for movie stars and runway models. I don’t recall that I had ever been attracted to a man before; there was a sort of nonchalant ruggedness about him. It was as though he did not exist within the same dimension of reality as the rest of us, as if he occupied some rift in space and time reserved especially for him.
A fire alarm beckoned our attention.
Moments later we were evacuating the theater. There had been a fire in the old-style projection booth. Tomorrows headlines would read ‘Bizarre Fire Sparked in Old Town Theatre, Arson Suspected’. I knew. But as the crowds dispersed and the chaos died away to a dull roar, Beff Pike had gone.
That night, at home, I listened to my phone messages (two of which had been left by her) deleted the bunch and went to sleep.
I wake up in the morning; it’s another planet, another star system. In transit everything becomes subjective. You realize that time, beyond the confines of society, has little practical application; at least not on any human scale. Shuttles rush to make their deadlines departing one port of call at three thirty on a Wednesday and arriving at another two days earlier and with time to spare. The inter-galactic jet set subscribe to their own timeline, apparent and relevant to themselves alone. On a long enough time line the life expectancy of anyone drops to zero.
That’s what I do for a living, how I make my money. I am an insurance adjuster for an sizable corporation. I call it ‘the Syndicate’. Traveling, I always use an alias and it’s always supplied by the company. An inveterate name, my employers prefer that I do not advertise my position abroad simply because of the general animosity it tends to provoke in others.
I have had food thrown at me by complete strangers. Once, on a long work sojourn typed up as a ‘temporary sabbatical’ (my position also involves instructing junior employees in the policies and procedures of the Syndicate) to review the potential establishment of a branch office in new territory, I mentioned to the woman in the seat aside my own just what it was I did, what I called an occupation. I could have been more solicitous in my approach.
“Take the total number of persons in a single cultural unit,” I said striking a few lines on the tray of my in-flight meal. “Assume for the example that our societal element has a total population of one million individuals.”
“Select a ratio of people’s representative of each major demographic. Utilize this group of individuals as your test base to calibrate a per-capita cost and worth analysis of each individual based on a number of significant factors such as current net income, previous financial histories, and incurred debt as well as current and previous expenses. Incorporate all available information such as medical history, family trees and so on… every bit of data gathered on any given subject will enhance the final result… Subjective data is less useful. You want hard, solid facts.”
“Assign each demographic a value based on the results of your previous examination. These values reflect the current contribution or drain each element effects on the society as a whole.”
“Multiply the value of each demographic by the number of persons incorporated in those demographics. Tally the results and add them together. The resulting series of digits is then entered into a computer which compares the number to additional variables too rapidly fluctuating for standardized formulae.”
“The computer will then produce a series of financial values for the society as a whole, reducing its complexity to a purely monetary state.”
“If the value of the society does not indicate a profit, we don’t… invest.”
Throughout my diatribe I had not intended to sound insincere or aloof in my regard for the people I was turning into dollar signs, though I think that certain nonchalance had crept into my tone. So I was not entirely surprised when she up-ended her pasta in my lap and stormed off to the bathroom. Aliens, in my experience, tended to have the least appreciation for the complexity of my profession.
Pain is funny.
You can watch a man get hit in the groin a dozen times over and laugh out loud with each blow. That’s humor.
If you forget how to deal with pain, and I mean the physical sort, and go for too long without knowing it when it does come upon you, all too often, it hits with an intensity we are not prepared for.
Heroine addicts say the same thing about their first hit.
Pain is like a drug. Once you have it you can never let it go. Makes you sharp, like a weapon pain does. It turns down the volume of the world, lets you put people on mute and gives you endless patience to concentrate on the pain and nothing else. Pain blocks everything out.
I felt like a teen slipping my hand under a girl’s shirt for the first time. Felt like I was high and falling. My guts wanted to explode and I felt like I could puke up my lungs. And then, in a flash, I was on the ground broken and bleeding and confused. The sky was on fire. Bits of paper floated about on the breeze burning as they tumbled, spiraling to the ground around me. Each one hit with the impact of a meteor, shook the ground and made my ears pound. A torch blazed, sat upon a blackened pillar of smoke and ash.
I had been seriously concussed by the blast.
The blast that had previously been my fifty first floor apartment, which had opened my home to the dark night and sent my possessions, flaming, out into the moonlit sky. The blast, the explosion that had lifted me from my bed and flung me, amongst the debris of my life, out.
In the hospital, a day later; I was floating. I had faced death and survived. I’d never been so happy for my own life.
And then, wearing an orderly’s smock and the shit-eating grin of the dog that just chewed up your best shoes, Beff Pike strolled into my room in the hospital and asked, “Did you see God?”
That was how I came to live with Beff Pike.
(Homage to Fight Club, by Chuck Palanhniuk)
If you face death and survive, for the moment of direct confrontation; you are immortal.
Beff gets me a job in a diner, after that he is pushing a gun between my lips and saying the first step to eternal life is you have to die. I thought we were best friends. Everyone was always asking me, did I know Beff Pike?
And now I am going to die.
But that’s not the beginning, not where it started.
I was dead before he found me, gave me life. And then he was saying, “You have to give up everything. Even your life.”
He said, “You have to destroy everything before you can ever really create anything.” Too late it occurred to me to ask; where it would end? And it all started with such innocence. Then, one day in a theatre watching a movie with my at-the-time girlfriend, he was suddenly behind me, sitting in the seat beside and to the left of me and my girlfriend. Lascivious Pike, braggadocio Beff, he said…
“This is a movie about the subjugation of the penis,” he remarked when of the on-screen romance playing out before us. Declarations like this would become commonplace. “The women’s lib movement has gone so far left. They’re trying to kill the erection.”
The movie was tripe, pure and unadulterated crap spewed out of some high volume production ring and pumped through the masses with such vigorous media hype you’d get a migraine from not going to see the fucking thing. It billed itself as ‘The Romance of the Year’ and had overtly female overtones. They called the things ‘chick flicks’.
“You tell yourself; I’m seeing this movie because my girlfriend will like it and maybe I’ll get laid out of the deal.” He balled up a fistful of popcorn, shoved it between his lips and while masticating added, “but let me ask you… Where’s the sex in this? The hero is a feminist dyke. What kind of protagonist wears a thong and tub-top in mixed company and sells herself as a heroine to girls ten and up? And the strongest male character is the villain; a dickless wonder whose only ambition seems to be to win and rig the electoral process.”
“If she doesn’t want to chop it off by the time you get home maybe, just maybe, you’ll land a pity fuck.”
I was transfixed. My girlfriend at the time, disgusted, had stormed out. She paused and leered at me. I realized she expected me to follow. Snails and turtles have moved faster. The last thing she said was something about not doing this here and then she was gone. To this day I haven’t spoken to her again.
“Smooth,” the man smirked, stealing at my popped corn. “Did you know that cellophane is extremely flammable?”
He was about as tall as me, sitting down, but possessed the kind of body generally reserved for movie stars and runway models. I don’t recall that I had ever been attracted to a man before; there was a sort of nonchalant ruggedness about him. It was as though he did not exist within the same dimension of reality as the rest of us, as if he occupied some rift in space and time reserved especially for him.
A fire alarm beckoned our attention.
Moments later we were evacuating the theater. There had been a fire in the old-style projection booth. Tomorrows headlines would read ‘Bizarre Fire Sparked in Old Town Theatre, Arson Suspected’. I knew. But as the crowds dispersed and the chaos died away to a dull roar, Beff Pike had gone.
That night, at home, I listened to my phone messages (two of which had been left by her) deleted the bunch and went to sleep.
... perfect geometry...
I wake up in the morning; it’s another planet, another star system. In transit everything becomes subjective. You realize that time, beyond the confines of society, has little practical application; at least not on any human scale. Shuttles rush to make their deadlines departing one port of call at three thirty on a Wednesday and arriving at another two days earlier and with time to spare. The inter-galactic jet set subscribe to their own timeline, apparent and relevant to themselves alone. On a long enough time line the life expectancy of anyone drops to zero.
That’s what I do for a living, how I make my money. I am an insurance adjuster for an sizable corporation. I call it ‘the Syndicate’. Traveling, I always use an alias and it’s always supplied by the company. An inveterate name, my employers prefer that I do not advertise my position abroad simply because of the general animosity it tends to provoke in others.
I have had food thrown at me by complete strangers. Once, on a long work sojourn typed up as a ‘temporary sabbatical’ (my position also involves instructing junior employees in the policies and procedures of the Syndicate) to review the potential establishment of a branch office in new territory, I mentioned to the woman in the seat aside my own just what it was I did, what I called an occupation. I could have been more solicitous in my approach.
“Take the total number of persons in a single cultural unit,” I said striking a few lines on the tray of my in-flight meal. “Assume for the example that our societal element has a total population of one million individuals.”
“Select a ratio of people’s representative of each major demographic. Utilize this group of individuals as your test base to calibrate a per-capita cost and worth analysis of each individual based on a number of significant factors such as current net income, previous financial histories, and incurred debt as well as current and previous expenses. Incorporate all available information such as medical history, family trees and so on… every bit of data gathered on any given subject will enhance the final result… Subjective data is less useful. You want hard, solid facts.”
“Assign each demographic a value based on the results of your previous examination. These values reflect the current contribution or drain each element effects on the society as a whole.”
“Multiply the value of each demographic by the number of persons incorporated in those demographics. Tally the results and add them together. The resulting series of digits is then entered into a computer which compares the number to additional variables too rapidly fluctuating for standardized formulae.”
“The computer will then produce a series of financial values for the society as a whole, reducing its complexity to a purely monetary state.”
“If the value of the society does not indicate a profit, we don’t… invest.”
Throughout my diatribe I had not intended to sound insincere or aloof in my regard for the people I was turning into dollar signs, though I think that certain nonchalance had crept into my tone. So I was not entirely surprised when she up-ended her pasta in my lap and stormed off to the bathroom. Aliens, in my experience, tended to have the least appreciation for the complexity of my profession.
... alterior answer...
Pain is funny.
You can watch a man get hit in the groin a dozen times over and laugh out loud with each blow. That’s humor.
If you forget how to deal with pain, and I mean the physical sort, and go for too long without knowing it when it does come upon you, all too often, it hits with an intensity we are not prepared for.
Heroine addicts say the same thing about their first hit.
Pain is like a drug. Once you have it you can never let it go. Makes you sharp, like a weapon pain does. It turns down the volume of the world, lets you put people on mute and gives you endless patience to concentrate on the pain and nothing else. Pain blocks everything out.
I felt like a teen slipping my hand under a girl’s shirt for the first time. Felt like I was high and falling. My guts wanted to explode and I felt like I could puke up my lungs. And then, in a flash, I was on the ground broken and bleeding and confused. The sky was on fire. Bits of paper floated about on the breeze burning as they tumbled, spiraling to the ground around me. Each one hit with the impact of a meteor, shook the ground and made my ears pound. A torch blazed, sat upon a blackened pillar of smoke and ash.
I had been seriously concussed by the blast.
The blast that had previously been my fifty first floor apartment, which had opened my home to the dark night and sent my possessions, flaming, out into the moonlit sky. The blast, the explosion that had lifted me from my bed and flung me, amongst the debris of my life, out.
In the hospital, a day later; I was floating. I had faced death and survived. I’d never been so happy for my own life.
And then, wearing an orderly’s smock and the shit-eating grin of the dog that just chewed up your best shoes, Beff Pike strolled into my room in the hospital and asked, “Did you see God?”
That was how I came to live with Beff Pike.